CENTERING THE VOICE OF THE WITNESS (2025)
Artistic Research project exploring the artistic usage of Holocaust Testimony (forthcoming).
Supported by the Fortunoff Video Archive for Holocaust Testimonies and In geveb: A Journal of Yiddish Studies.

CHALLENGING THE THEATER OF MEMORY (2022-2024)
Yiddish Song Beyond Kitsch and Stereotype,
Artistic Research Project in collaboration with Isabel Frey. Digital Exhibition visible on Research Catalogue. Supported by the Music and Minorities Research Center, AR-Pilot Call 2022 of the mdw, as well as the Austrian Science Fund (FWF) Grant-DOI 10.55776/Z352


​MANASSE (2019) 
 Live Film Score, composed by Benjy Fox-Rosen and Shaun Williams for the 1925 film from director Jean Mihail . Commissioned by the Romanian Culture Institute for the Europalia Festival (Brussels, 2019). 


​NITL IZ A BEYZER LAYD/ CHRISTMAS IS A WICKED BURDEN (2018)
Composed for Ensemble Wiener Collage's winter concert 'Oktaven des Lichts.' Premiered at the Arnold Schönberg Center, Vienna.
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UNSERE 20 SCHÖNSTEN ZAHNTECHNICKERINNENLIEDER
​Commissioned by the Gegenstimmen Choir.
​ Premiered in the Wiener Musikverein,  October 2018. 
UNCANNY MATERIALS - FOUNDING MOMENTS OF ART EDUCATION
Group Exhibition, Academy of Fine Arts, Vienna 11.03.2016 - 16.05.2016
Audio component of an installation created by Zsuzsi Flohr and Eduard Freudmann. The piece wove audio clips of the "Was sie unterliesz" performance with double bass and bells.  This is part of a larger group exhibition which explores the history of the Academy of Fine Arts during the Nazi period. ​

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"WAS SIE UNTERLIESZ, HABEN WIR GETAN" / "WHAT THEY NEGLECTED, WE DID"
Performance and Intervention in public space by Zsuzsi Flohr, Benjy Fox-Rosen, Eduard Freudmann, Eva Reinold, Luisa Ziaja (2015) 13 June 2015. Part of Wiener Festwochen's Into the City. 

The project dealt with commemoration culture in public space in Vienna. It linked the elements of ritual, discourse and intervention in a performative setting. It consisted of a panel discussion, a choir, an actress and an crew of workers who illegally erected a monument dedicated to those who had illegally erected a monument on that spot in 1951.